Pasquale Curatola's Blog

Tag: Daniel Day-Lewis

Oscars 2013: the winners

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Pubblicato incartoons/ animated Films , cinema , english
Pasquale Curatola

BEST PICTURE Argo (Grant Heslov, Ben Affleck and George Clooney Producers)

ACTOR IN A LEADING ROLE Daniel Day – Lewis (Lincoln)

ACTRESS IN A LEADING ROLE Jennifer Lawrence (Silver Linings Playbook)

ACTOR IN A SUPPORTING ROLE Christoph Waltz (Django Unchained)

ACTRESS IN A SUPPORTING ROLE Anne Hathaway (Les Misérables)

ANIMATED FEATURE FILM Brave (Mark Andrews and Brenda Chapman)

CINEMATOGRAPHY Life of Pi (Claudio Miranda)

COSTUME DESIGN Anna Karenina (Jacqueline Durran)

DIRECTING Life of Pi Ang Lee

DOCUMENTARY FEATURE Searching for Sugar Man (Malik Bendjelloul and Simon Chinn)

FILM EDITING Argo (William Goldenberg)

FOREIGN LANGUAGE FILM Amour (Austria)

MAKEUP AND HAIRSTYLINg Les Misérables (Lisa Westcott and Julie Dartnell)

MUSIC ORIGINAL SCORE Life of Pi (Mychael Danna)

MUSIC ORIGINAL SONG  “Skyfall” from Skyfall (Music and Lyric by Adele Adkins and Paul Epworth)

PRODUCTION DESIGN Lincoln :Rick Carter (Production Design); Jim Erickson (Set Decoration)

SHORT FILM ANIMATED Paperman (John Kahrs)

SHORT FILM LIVE ACTION Curfew (Shawn Christensen)

SOUND EDITING Skyfall (Per Hallberg and Karen Baker Landers)

SOUND MIXING Les Misérables (Andy Nelson, Mark Paterson and Simon Hayes)

VISUAL EFFECTS Life of Pi (Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott)

WRITING Argo

WRITING RIGINAL SCREENPLAY Django Unchained (written by Quentin Tarantino)

Lincoln

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Pubblicato inarte, storia, cultura , cinema , english
Pasquale Curatola

‘Lincoln’ è un film tecnicamente perfetto: scritto bene, realizzato bene, interpretato bene.

Dimostra attenzione ai dettagli, alle ricostruzioni, al lessico, alle atmosfere, a quei particolari apparentemente secondari che si possono intravedere solo prestando la dovuta attenzione ai gesti che chi recita fa davanti al magico specchio della cinepresa.

È  rigoroso come un documentario, per Giove! Come ai tempi di ‘Schindler’s List‘, il grande Spielberg si è dimostrato maestro nel fondere arte e precisione.

La figura di Abraham Lincoln, fatta magnificamente rivivere da Daniel Day Lewis, d’altra parte, giganteggia nella storia universale e in quella americana per dei meriti che mai potranno essere cancellati e ai quali il cinema di Spielberg ha riconosciuto giusto tributo.

‘Lincoln’ is a technically perfect film: well written, well done and well performed.

It demonstrates attention to the details, to the reconstructions, to the lexicon, to the atmospheres, to those apparently secondary particulars which you can observe only finding the right attention to the gestures made by the players in front of the magic mirror of a cine camera.

It is rigorous as  a documentary, by Jove! As at the times of ‘Schindler’s List‘, the big Spielberg has confirmed to be a Master in mixing the art with the precision.

The figure of Abraham Lincoln, made magnificently re-live by Daniel Day Lewis, looms up, on the other hand, in the universal and in the American history for some merits that never will be deleted and that Spielberg’s cinema has correctly awarded.

 

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